Nils-Simon Fischer

ABOUT THE ARTIST
Born in Tübingen in 1990, Nils-Simon Fischer is a Düsseldorf-based artist who holds a Master’s degree from the Kunstakademie Düsseldorf, where he studied under Prof. Gregor Schneider following earlier architecture and fine arts studies in Stuttgart. His practice spans drawing and spatial projects, showcased across numerous international exhibitions including solo projects like Tagestrunk and group shows in Germany, France, and South Korea. Fischer’s work has earned him recognitions such as the Academy Fellowship at Labor der Künste Montepulciano and the Academy Prize from the State Academy of Fine Arts Stuttgart.
ARTISTIC METHOD
In my work, I transform fundamental experiences—time, space, materiality, the body—into forms of expression through drawing. In doing so, I combine theoretical and philosophical questions with the diverse influences of my personal everyday life, which range from political and historical events to deeply personal experiences. These experiences not only flow into my work but become an integral part of the drawing process itself.
In doing so, I strive to create transparency; I deliberately supplement my drawings with handwritten marginal notes, thereby enabling viewers—in this specific case, the residents of Viersen—to become part of the creative process themselves.
Even though I studied in a program focused on sculpture and have worked artistically with installations in and with space, my focus is primarily on the medium of drawing, with paper being my preferred working material.
This is because paper is a medium that, alongside smartphones and computers, is used by most people in everyday life—for example, as a notepad, but also as an officially created document.
PROJECT DURING BORDERLAND RESIDENCIES
As part of the Peters-Messer Fellowship from the City of Viersen—which is explicitly intended for artists who work with paper—I would like to begin a new series of drawings on paper in which I plan to explore my immediate surroundings and beyond through cartography during my residency. What is the relationship between Viersen and the environment surrounding the city, and to what extent do developments from the wider environment make themselves felt within the city itself?
I would like to investigate whether and to what extent this question has already been explored artistically throughout history by conducting research in the City of Viersen’s very extensive graphic arts collection.