VIKA PROKOPAVICIUTE
Place of Residency
Ludwig Forum für Internationale Kunst Aachen
Born 1983, Vilnius, Lithuania
Lives and works in Vienna, Austria
EDUCATION
2012—2019 University of Applied Arts Vienna, AT
2011 Salzburg International Summer Academy of Fine Arts, AT
Vika Prokopaviciute, 2023 by Julia Malmquist
Vika Prokopaviciute - Boiling Ultra, 2023, Oil and acrylics on linen, 200 x 130 cm
Vika Prokopaviciute - White hot, 2023, Oil and acrylics on linen, 200 x 130 cm
Discipline
Painting
Painting is a practice that demands constant reflection on its borders. Do I go over the edge? What is happening outside that window? Is it happening at all, or is a painting an isolated container, holding an abstract space?
I paint one painting after another. Each subsequent painting is a possible projection of the previous one: from another side, from above, from within, from a distance, from myriad points. It's like observing a kind of hyperobject: how does it appear from another perspective? What is that circle—a hole or a bump? What if the weather changes, or the viewer is different? What occurs between two paintings? Each painting speculates on the preceding one, where endless concerns about the now and anxieties about the next become a strategy and a painting force. You move through, as if in a rendering of yet unknown space, shifting from one point of view to another. This fluidity of perspective keeps you in a state of constant flux, navigating between multiple viewpoints, reconsidering established structures, and questioning how we construct and interpret visual narratives. Paintings suggest that meaning is never fixed but always in motion, unfolding through the act of looking.
Project during the Borderland Residency
Year of participation
2025
My proposal for a context-specific project at Borderlands Residences at Ludwig Forum Aachen is to create a series of paintings that emphasise their response to the borders and divert their focus from the centre. Painting is a fluid studio-bound practice where “project” could be seen as setting oneself a task, adding another conceptual layer on top of established practice.
I would like to eliminate the gaps between the paintings and gather them into a single space. The result could be a set of paintings or a polyptych made up of smaller parts, merging those possible views described above. A painting becomes a map or a mesh, where the borders do not divide but hold parts together. This notion of borders (in painting, formal, social) has already been on my mind and at the studio: I include three examples of existing works that form diptychs but can be viewed individually. The opportunity to work in the residency at Ludwig Forum Aachen would give me a chance to explore it further, while being physically in that borderland.
“What if ... instead of saying, this border divides these places. We said, this border unites these places. This border holds together these two really interesting different places. What if we declared border crossings places where, listen, when you crossed them, you yourself became doubly possible.”
― Ali Smith, Spring, 2019
VIKA PROKOPAVICIUTE
Place of Residency
Ludwig Forum für Internationale Kunst Aachen
Born 1983, Vilnius, Lithuania
Lives and works in Vienna, Austria
EDUCATION
2012—2019 University of Applied Arts Vienna, AT
2011 Salzburg International Summer Academy of Fine Arts, AT
Discipline
Painting
Painting is a practice that demands constant reflection on its borders. Do I go over the edge? What is happening outside that window? Is it happening at all, or is a painting an isolated container, holding an abstract space?
I paint one painting after another. Each subsequent painting is a possible projection of the previous one: from another side, from above, from within, from a distance, from myriad points. It's like observing a kind of hyperobject: how does it appear from another perspective? What is that circle—a hole or a bump? What if the weather changes, or the viewer is different? What occurs between two paintings? Each painting speculates on the preceding one, where endless concerns about the now and anxieties about the next become a strategy and a painting force. You move through, as if in a rendering of yet unknown space, shifting from one point of view to another. This fluidity of perspective keeps you in a state of constant flux, navigating between multiple viewpoints, reconsidering established structures, and questioning how we construct and interpret visual narratives. Paintings suggest that meaning is never fixed but always in motion, unfolding through the act of looking.
Project during the Borderland Residency
Year of participation
2025
My proposal for a context-specific project at Borderlands Residences at Ludwig Forum Aachen is to create a series of paintings that emphasise their response to the borders and divert their focus from the centre. Painting is a fluid studio-bound practice where “project” could be seen as setting oneself a task, adding another conceptual layer on top of established practice.
I would like to eliminate the gaps between the paintings and gather them into a single space. The result could be a set of paintings or a polyptych made up of smaller parts, merging those possible views described above. A painting becomes a map or a mesh, where the borders do not divide but hold parts together. This notion of borders (in painting, formal, social) has already been on my mind and at the studio: I include three examples of existing works that form diptychs but can be viewed individually. The opportunity to work in the residency at Ludwig Forum Aachen would give me a chance to explore it further, while being physically in that borderland.
“What if ... instead of saying, this border divides these places. We said, this border unites these places. This border holds together these two really interesting different places. What if we declared border crossings places where, listen, when you crossed them, you yourself became doubly possible.”
― Ali Smith, Spring, 2019