A multitude of superimposed everyday objects, pictograms and other symbols from worldwide (sub)cultures intertwine in Rachel Daniel’s installations, which seem to be based on an apparent disorder that deliberately obscures our reading of her work. These heterogeneous associations sometimes display a kind of humor ,absurdity even ,but often they come across as menacing and seem to contain a latent violence. As a multidisciplinary artist, she combines techniques and sources of inspiration to construct critical mechanics that make use of a unique visual language. She examines the power structures that operate within our society and dissects feelings of desire and remorse that exist within the individual human being. Her installations are often accompanied by coexisting soundscapes that act as emulsifiers that provoke a dialogue between different elements within the installations. Its main materials are steel, construction fences and stained glass, pronounced materials that contain and exhibit a compelling force. They reference social control, religion, capitalism, and the tension between collectivity and individualism, while exploring the friction between nd industrialcraftsmanship a production.