HELENA
Place of Residency
Museum Het Nieuwe Domein Sittard
Helena is an interdisciplinary artist and researcher. Her work spans large-scale multimedia installations, performance, painting, and objects/ sculptures. Most recently, Helena intervenes with her flock of wax-cast pigeons to invite open-ended questioning of the ambiguous ways in which we share (urban) spaces.
Through her work, Helena seeks to capture the double standards and the contradiction of how we relate to pigeons (other species), and each other – how we pick and choose who has access to which space and under which circumstances.
Born in UK, Helena grew up in Vienna, Austria. She is based between the Netherlands and Vienna. Helena is a recent graduate of interdisciplinary Arts (iArts) at the Maastricht Institute of Arts.
Helena
The Great Misunderstanding (2025)
We see the circle of stars of the EU flag broken – a guarded circle that includes and excludes.
And a pigeon cast from white wax and mixed with street dirt – a symbol of peace and dirty pest.
Material: Print on fabric made from recycled plastic bottles
Size: 180cm x 120cm
Commissioned by Museum Het Nieuwe Domein
The Great Misunderstanding (2025)
We see the circle of stars of the EU flag broken – a guarded circle that includes and excludes.
And a pigeon cast from white wax and mixed with street dirt – a symbol of peace and dirty pest.
Material: Print on fabric made from recycled plastic bottles
Size: 180cm x 120cm
Commissioned by Museum Het Nieuwe Domein
Discipline
large-scale multimedia installations, performance, painting, and objects/ sculptures
The Great Misunderstanding (2025)
We see the circle of stars of the EU flag broken – a guarded circle that includes and excludes.
And a pigeon cast from white wax and mixed with street dirt – a symbol of peace and dirty pest.
Material: Print on fabric made from recycled plastic bottles
Size: 180cm x 120cm
Commissioned by Museum Het Nieuwe Domein
Pigeons are our oldest companion species. Since we first domesticated them more than 10.000 years ago pigeons have been considered symbols of peace, war heroes, hunted pests, and sacred messengers. Once our technological advancements substituted the pigeon´s service, we discarded them. Now the pigeon roams our streets alongside us, living in and off our dirt – depending on our infrastructures. The pigeon´s ambiguity reflects the double standards and the contradictions of how we relate to other species and to each other – how we pick and choose who has access to which space and under which circumstances.
In her ongoing artistic research, Helena critically examines the prevailing narratives and power relations that constitute how we share urban space. Helena creates situations/ fictional spaces for the audience to step into and move around in, often playing with repetition and distorted proportions. Helena is collaborating with artist G.C. Heemskerk on a duo exhibition at the NS station in Sittard, organised in partnership with Museum Het Nieuwe Domein. For this presentation, she is researching the city's pigeon populations and delving into local archives to uncover connections between these birds and the mining history of Sittard-Geleen.
Project during the Borderland Residency
Year of participation
2025
instagram
@helenaxlf
website
thegreatmisunderstanding.com
HELENA
Place of Residency
Museum Het Nieuwe Domein Sittard
Helena is an interdisciplinary artist and researcher. Her work spans large-scale multimedia installations, performance, painting, and objects/ sculptures. Most recently, Helena intervenes with her flock of wax-cast pigeons to invite open-ended questioning of the ambiguous ways in which we share (urban) spaces.
Through her work, Helena seeks to capture the double standards and the contradiction of how we relate to pigeons (other species), and each other – how we pick and choose who has access to which space and under which circumstances.
Born in UK, Helena grew up in Vienna, Austria. She is based between the Netherlands and Vienna. Helena is a recent graduate of interdisciplinary Arts (iArts) at the Maastricht Institute of Arts.
Discipline
large-scale multimedia installations, performance, painting, and objects/ sculptures
The Great Misunderstanding (2025)
We see the circle of stars of the EU flag broken – a guarded circle that includes and excludes.
And a pigeon cast from white wax and mixed with street dirt – a symbol of peace and dirty pest.
Material: Print on fabric made from recycled plastic bottles
Size: 180cm x 120cm
Commissioned by Museum Het Nieuwe Domein
Pigeons are our oldest companion species. Since we first domesticated them more than 10.000 years ago pigeons have been considered symbols of peace, war heroes, hunted pests, and sacred messengers. Once our technological advancements substituted the pigeon´s service, we discarded them. Now the pigeon roams our streets alongside us, living in and off our dirt – depending on our infrastructures. The pigeon´s ambiguity reflects the double standards and the contradictions of how we relate to other species and to each other – how we pick and choose who has access to which space and under which circumstances.
In her ongoing artistic research, Helena critically examines the prevailing narratives and power relations that constitute how we share urban space. Helena creates situations/ fictional spaces for the audience to step into and move around in, often playing with repetition and distorted proportions. Helena is collaborating with artist G.C. Heemskerk on a duo exhibition at the NS station in Sittard, organised in partnership with Museum Het Nieuwe Domein. For this presentation, she is researching the city's pigeon populations and delving into local archives to uncover connections between these birds and the mining history of Sittard-Geleen.
Project during the Borderland Residency
Year of participation
2025
instagram
@helenaxlf
website
thegreatmisunderstanding.com